Netivat Sofrut: diary of a Soferet

Adventures of a female sofer learning to heal the world by doing Holy Work...writing a Sefer Torah

נחזיר את השכינה למקומה בצייון ובתבל כלה

"Let us restore the Divine In-Dwelling to Her Place in Zion & infuse Her spirit throughout the whole inhabited world."

So wherever we are, let us bring the Peace of G@d's Presence.

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Location: Vancouver/London, British Columbia/UK, Canada

SCRIBAL EVANGELIST As the only living certified Soferet (סופרת - female Jewish ritual scribe) & the first woman to practice sofrut (creation of sacred Hebrew texts) in over 200 years, I feel an obligation to blog about my experiences of The Work. I am also currently researching the foundation of a lost tradtion of women practicing this holy craft. For more on the services I provide, please see; Sofrut Nation. I am now available to engage with students, male or female, wishing to enter into the preliminary stage of learning sofrut. You are welcome to join me on this path. "Tzedeq, tzedeq tir'dof - Justice, justice you shall pursue." Devarim/Deuteronomy 16:20.

Saturday, August 30, 2003


People keep asking me who the heck I think I am that I can write a Torah when I'm I'm female. I would sum up the discusion for lay people like this:

The bulk of the Halakhic literature from the Talmud through the Shulhan Aruch renders women invalid to write Sifrei Torah. There is an important yet isolated voice that claims otherwise. The Drisha, Rabbi Yehoshua Falk, in his comments on the Tur claims that women are kesheirot to write Sifrei Torah.

Friday, August 22, 2003


First woman to write a Torah

Seattle shul commissions Vancouver's Aviel Barclay to be their soferet.

[My corrections & comment appear throught this article in this format]

For the first time that anyone knows, a synagogue has commissioned a woman to write a sefer Torah (Bible scroll). The synagogue is Kadima in Seattle, Wash., and the woman is Vancouver resident Aviel Barclay. To the best of her knowledge, Barclay will be the first woman to be certified in this ancient Jewish vocation.

At this moment, Barclay has yet to start the actual writing of the sefer Torah. In fact, she is in Israel now, completing her process of becoming a certified soferet (female scribe). She began her training five years ago but her interest in sofrut started long before that.

Since she was three years old and saw her first sefer Torah in Fiddler on the Roof, Barclay, now in her early 30s, had always been drawn to the scroll, wanting to be near it. As an adult, the affinity she had for the Torah inspired her to become a soferet. At 22, she began teaching herself the calligraphic process and when she was in her late 20s, she embarked on a mission to find a sofer (male scribe) who would be willing to train her.

She spent 18 months searching, facing countless rejections; people were unwilling to train a woman as a soferet. Barclay, however, did not give up. She continued with her work as an artist, designing and writing ketubot (marriage contracts), and maintained a Web site, posted with pictures of some of her Judaic artwork. It was this determination to continue her work that facilitated her training process. Her mentor, a sofer in Jerusalem who was aware of her search and who had viewed her work on the Web site, contacted her via e-mail and said, "I really like your sense of design, but your calligraphy could use a little work." Thus began the relationship between teacher and student. It has not always been an easy one.
[Actually, my mentor did not, in fact, know that I had been looking for a sofer stam to train me until I told him so]

At 29, after studying via correspondence, Barclay made the trip to Israel to continue her sofrut lessons with her mentor in person, while simultaneously attending an Orthodox women's yeshivah (learning institution). Soon, word came back to the heads of the school that Barclay was undergoing training to become a soferet. They were less than pleased, and tried to channel her interests in other directions, since they believed that it is forbidden for a woman to write a sefer Torah. She asked them to show her why it was forbidden; they put her off, suggesting instead that she go find a husband, rather than continuing her training. They went so far as to threaten Barclay, saying, "If you don't deal with your feminist issues, you have to leave the yeshivah." They also demanded to know the name of her mentor, so that he could be threatened as well, but she would not reveal it. It is for his safety that her mentor still remains nameless.
[I was 28 when I went to Israel]

Barclay was eventually asked to leave the yeshivah, and three others in fairly quick succession. She returned to Canada before completing her training and has been waiting several years until she could gather sufficient funds to return to Israel. Now, since Kadima Synagogue has given her this commission, she will finally be able to complete the process.
[I was only asked to leave the first yeshivah. I left the second when rumours about me began to circulate & the other two I left simply because I was searching for a "Jewish home" as far as learning & practice.]

Woman's Torah Project

Kadima is a progressive, egalitarian community. It makes no differentiation between race, sexual preference or gender. They place a special emphasis on tikkun olam (fixing the world). When the community needed a sefer Torah, several members in the community became interested in the idea of having a woman write one for them. When Rabbi Fern Feldman took her position at the synagogue at the end of last summer, she was approached by several congregants about the idea, and became very excited about it. The Woman's Torah Project was born.

The prospect of using a sefer Torah produced by a woman is one that is in keeping with the synagogue's general philosophy in terms of feminism and egalitarianism.

"Once we realized the magnitude of the issue, that this is really something that has never happened," Feldman said, it became very important to pursue the project, even though acquiring a torah from a male scribe would have been simpler and faster. The project's importance stems from the fact that sofrut "is the last major place in the Jewish world that women haven't gained equality in any movement of Judaism," explained Feldman. Feldman hopes that her synagogue's choice of using a soferet will begin to break down this barrier.
[A sofer would not necessarily write faster than a soferet. I know of soferim who take 2 years to write a Sefer Torah. It really depends on whether they are aiming for speed or quality. As far as women's equality in sofrut, I support any Jew who is shomer mitzvot/keeps G@ds commandments to act as a ritual scribe.]

Additionally, Feldman feels that using a Torah that is produced by a woman will open up new avenues for female congregants to relate to the Torah "because the Torah then, in a way, is a product of a woman's body, a woman physically having made it, that gives [women] a physical connection to the Torah that we've never had before," said Feldman, adding that allowing a woman to produce a Torah will create a new role for women to play in Judaism. People will now see "that it's possible to be a woman scribe, it's possible to have that level of intimacy with the Torah." Women will now be able to forge an even stronger bond with their biblical heritage, she said.

Verifying the halachah

Feldman did not jump into the Woman's Torah Project without first checking its acceptability in halachah (Jewish law). Orthodox and Conservative rabbis have been consulted and, for the most part, have been very enthusiastic about the project. Feldman said that when Harry Zeitlan, an Orthodox rabbi in Seattle, was asked whether it was permissible for a female scribe to produce a sefer Torah, he responded in writing that, "the question is not so much 'Is it halachic?' but 'Why hasn't it happened yet?' "
[For me, the question of whether it is Halakhic, ie permissable within the bounds of Jewish Law, is the question. That's why it's taken me a decade to embark on this journey.]

Others, such as Rabbi Ross Singer of Shaarey Tefilah Synagogue in Vancouver, see the project in a "more ambiguous light." He explained that the majority opinion in the Shulchan Aruch (the book of codified halachah accepted by the Orthodox community) is that a woman is not permitted to write a sefer Torah. The Drisha, an Amoraitic commentator, does, however, consider women to be halachically acceptable sofrot. Regarding the uncertainty of the situation, Singer said, "I have serious reservations about the use of a sefer Torah written by a woman for ritual use, however I support the learning of sofrut by anyone who is sincere, and support Aviel's endeavor to write a sefer Torah." While aware of these concerns, Feldman is choosing to rely on the positive halachic feedback she has received from other rabbis, as well as what she describes as significant evidence of the halachic permissibility of the project that she has found through research conducted with primary documents.
[Also, there is much evidence of women who have served as sofrot in our past, in one capacity or another]

To Feldman, the project seems as though it was meant to happen. After being approached by her congregants, she said, "By coincidence or fate or whatever we think it might be, providence, I happened to know Aviel, who as far as we know is the first woman close to being certified as a soferet stam [a scribe qualified to produce Torah scrolls, tefillin and mezuzot]." She was asked to write a sefer Torah for Kadima and will now do so, said Feldman.
[I don't do tefilin. There's a completely different Halakhic argument about them which is beyond the scope of this post.]

Investing in holy work

The process is not a simple one. The parchment for the sefer Torah must be sewn with animal sinew; and lines must be scored onto the skin, as pencil marks may not be made on the parchment and then erased. Further complicating matters is the fact that base metal may not be used on any tool that will touch the sefer Torah, as they are symbolic of war. As a result, a sofer or soferet must construct wooden awls, with rose thorns as attachments, to use for scoring the lines and use a quill to write the letters on the parchment. These items are by no means inexpensive. Barclay estimates that, for materials alone, she will pay $7,000 US.
[Or thereabouts.]

With all the expense of materials (which will be covered by Kadima), with the difficulty involved in the training process of a soferet and with all the religious opposition Barclay, herself Orthodox, has received, one might wonder why she perseveres in her mission to write this sefer Torah. She herself does not wonder. She has studied sources regarding the issue intensely and has found enough opinions supporting her endeavor that she feels confident continuing her work. To those who might question her sincerity, she says, "I hope people, even if they disagree with the process going on here, will give me the benefit of the doubt, that what I'm doing is holy work and that what it's going to do is bring more good into the world and change world Jewish consciousness."

Kadima congregation hopes that the sefer Torah will be ready in time for next year's Simchat Torah, fittingly the Jewish holiday that celebrates the yearly completion and consequent resumption of the reading of the weekly Torah portion from the Chumash (the Five Books of Moses). This year, Kadima has instituted an adult bat mitzvah class. The women who complete it will be the first ones to read from Barclay's completed sefer Torah.
[Kadima & I don't agree on the timeframe within which I believe it is likely I will complete their Sefer Torah; I think it will take at least 18 months full time.]

Jordan Rothstein is an English major at Princeton University who enjoys returning home during the summer.

Monday, August 11, 2003



I'm on my way to YVR soon - so soon - to begin the next chapter. The earlier ways & new recoveries are still with me, tho'. Time to hold my nose & plunge in. I arrived at this point so long ago, but it took love's light to show me.

"And you, are you still here
tilting in this stranded ark
blind & seeing in the dark."
- From "Leaning", by Phyllis Webb

G@d willing this will be a safe & completing journey.

Against Despair



Joel wrote this for me last night during Ron & Chelsea's wedding reception. This morning he played & sang it for me under the chestnut trees in the grass before he took me to the airport. He was luminous.

Better Lullaby

In flight
Belt down tight
Many miles before I sleep tonight
Snow-soft clouds for my dry eyes
Past days hold still like fireflies
Go fly away
My new sunrise is here to play
Shafts so bright through the tall wood
But how will this be any better
When it’s all good?

Hop on a plane
Got no carry-on to hold a flame
Burns so bright where I left from
Makes each sunset the best one
Then I’m alone
Many miles come away from home
Past days rise like a wall would
But how were they all any better
When it’s all good?

Lie lie lie lie lie lights out
Fists down
No sound
Fly, fly, fly until your dreams land
And tell the Sandman he’d better… better…

Love you
Love me too
Thank G!d I’ve got my work to do
Sets my course where the seas rise
Futures dim like my dry eyes
I’m flying home
Burns so world-wide, I’m flying home
No flight lifts like a fall could
So how could I feel any better
When it’s all good?

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